October’s Block Party Featured Album
October 3rd, 2011If you’re a fan of the Block Party (weeknights from 8pm-12am EST) on 91.3fm, we’re now featuring an Album of the Month with your New or Renewing Membership to WYEP. The Block Party Featured Album is available in CD format for a $60 donation to WYEP or Vinyl format with your $75 or higher donation.
October’s Block Party Featured Album of the Month is The Rip Tide by Beirut. Become a WYEP Member at wyep.org and grab a copy on CD or Vinyl as your thank you gift this month.
Review of Beirut’s The Rip Tide by WYEP Intern Gareth Gebhardt of the University of Pittsburgh.
It’s hard to believe it was all the way back in 2006 that Zach Condon and his ragtag orchestra first introduced us to the revelation that is Beirut. Never before had the musical traditions of the Balkans met so harmoniously with the horns of Southwestern and Mexican bands, rounded out by a sharp sense for pop hooks and smooth vocals. Building upon their eponymous EP and full-length debut, Gulag Orkestar, Beirut cultured a sizable following among fans and indie critics alike with their tireless touring schedule and on the strength of singles like “Postcards from Italy” and “Scenic World.”
With The Rip Tide, their third full-length album, the band proves their unique sound has solid staying power. Bandleader Condon’s lyrics seem to come more easily and confidently than ever, and the band’s sound as a whole has the smooth, polished feel of guys who’ve been spending a whole lot of very good times together.
Title track “The Rip Tide” is the one of the album’s best examples of their ability to refresh their sound while preserving all the elements that make them so likable in the first place. Beginning with a beautiful piano line to set the scene, the chords just sort of roll along, giving you the feeling of being carried away on waves. LIke a sky full of grey clouds, horns and strings blow in soft and lovely until Condon’s voice comes in to set your feet back on the ground. It’s evocative, introspective, and lovely – well-trod territory for Beirut while adding even more atmosphere to the band’s palette.
But just in case that track’s too much of a downer (and it shouldn’t be; it’s beautiful), Condon brings us back to bright and sunny on “Santa Fe,” a track he wrote “loosely” about his hometown that evokes warm sun-drenched streets on summer days. “East Harlem,” “Payne’s Bay” and “Vagabond” are all standouts as well, traveling the band’s wide musical spectrum from soft violins to glockenspiel waltzes to Condon’s ever-present, always infectious trumpet melodies.
Beirut sticks out from everyone else for a whole lot of reasons: Condon’s smooth vibrato, the ukeleles and mandolins replacing any appearance of guitar, horns and accordion put to perfect arrangement. Their success is due to all of this and more; Condon and co. are making music that samples half the world, while remaining, unmistakably, their very own. And that’s precisely what makes them so special.
Pick up a copy of The Rip Tide by Beirut with your Membership today at wyep.org.











